Quincy Jones Has Nothing To Lose & No F*cks To Give: Talks Michael Jackson STEALING SONGS, Outs Marlon Brando, Marvin Gaye & Richard Pryor For SLEEPING WITH MEN, & How Bono & Frank Sinatra PROTECTED Him From Racists

On Cyndi Lauper Trying To Sabotage “We Are The World”:

There’s a small anecdote in your memoir about how the rock musicians who’d been asked to sing on “We Are the World” were griping about the song. Is there more to that story?

It wasn’t the rockers. It was Cyndi Lauper. She had a manager come over to me and say, “The rockers don’t like the song.” I know how that shit works. We went to see Springsteen, Hall & Oates, Billy Joel, and all those cats and they said, “We love the song.” So I said [to Lauper], “Okay, you can just get your shit over with and leave.” And she was fucking up every take because her necklace or bracelet was rattling in the microphone. It was just her that had a problem.

On The Beatles Being The WORST Musicians He’d Ever Heard:

What were your first impressions of the Beatles?
That they were the worst musicians in the world. They were no-playing motherfuckers. Paul was the worst bass player I ever heard. And Ringo? Don’t even talk about it. I remember once we were in the studio with George Martin, and RingoJones arranged a version of “Love Is a Many-Splendored Thing” for Starr’s 1970 solo debut album Sentimental Journey, which was produced by the Beatles’ frequent collaborator George Martin. The song, and album, are more than a bit gloopy. had taken three hours for a four-bar thing he was trying to fix on a song. He couldn’t get it. We said, “Mate, why don’t you get some lager and lime, some shepherd’s pie, and take an hour-and-a-half and relax a little bit.” So he did, and we called Ronnie Verrell, a jazz drummer. Ronnie came in for 15 minutes and tore it up. Ringo comes back and says, “George, can you play it back for me one more time?” So George did, and Ringo says, “That didn’t sound so bad.” And I said, “Yeah, motherfucker because it ain’t you.” Great guy, though.

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